Stimulating students' creativity in MTM and ELTM classes: teaching and assessing methods and instruments

AuthorM.A.P. Purcaru/A. Nechifor
PositionFaculty of Mathematics and Informatics, Transilvania University of Brasov/Faculty of Letters, Transilvania University of Brasov
Pages35-42
Bulletin of the Transilvania University of Braşov
Series VII: Social Sciences • Law • Vol. 9 (58) No. 2 - 2016
STIMULATING STUDENTS’ CREATIVITY
IN MTM AND ELTM CLASSES:
TEACHING AND ASSESSING
METHODS AND INSTRUMENTS
M.A.P. PURCARU1 A. NECHIFOR 2
Abstract: The purpose of the present study is to emphasise different means
of stimulating students’ creativity with English Language Teaching and
Mathematics Teaching Methodology courses and seminars. The basic
analysis tries to exemplify and compare the cultivation of creativity by means
of the teaching-learning-assessment methods used to teach and evaluate the
content of the classes mentioned. The conclusions will summarize and review
the two studies dedicated to creativity, as a result of the data collected by the
authors and their first hand experience in such classes.
Key words: creativity, teaching-learning-assessment methods.
1. Introduction
Considered a sequel to the paper based on analysing the means by which students’
creativity can be discovered and encouraged to emerge as a driving factor within the
teaching process, as a consequence of the content taught and of the personal talent the
teacher has in doing that, the present research paper, belonging to the same two authors,
is interested in analysing the most significant methods of the very same process, in all its
steps: teaching, learning and assessing, that can achieve the same goal, i.e. stimulating
students’ creativity.
The formation and stimulation of creative thinking can never be considered as an
ending process, as it can never be imagined as stretching to the maximum limit of a
person’s possibilities or of a life’s requirements and challenges.
The outcomes of university work for any professor represent a reflection of, first of all,
the first-hand experience she has with the mass of students, and, second of all, but
nevertheless equally important, of the relationship established, at a professional level,
with each and every student individually, perceived as a particular entity, with
personalised profile and parameters.
Different ways of addressing the idea of creativity in a language class, for example, can
be viewed depending on whether we see it “as a property of people (who we are),
processes (what we do) or products (what we make)” (Fisher, 2004, p.8). Therefore, the
1 Faculty of Mathematics and Informatics, Transilvania University of Braşov, mpurcaru@unitbv.ro
2 Faculty of Letters, Transilvania University of Braşov, andreeabratan@unitbv.ro

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